Louis Sarris

Inconsistency Is My Very Essence
Steel
8'x5'x8'





Untitled
Steel
4'x7'x4'

Shannon Tomanovich

River Raft
9' x 6.5' x 3.5'
wood, rope, canvas, milk jugs

EMPV

Estudio de un Barrio

Painted Pallets and Clay

Dimensions vary

Scavenging

Susana Cortez

"Scavenging "
Wood, metal, spray paint, and three lamps

17' x 6' x 8'

Spring 2010

Team Laky - Art in the Garden

Susana Cortez

"Team Laky"

Wood, plastic bottles and expanding foam

11' x 3' x 10'
Spring 2010

Tia Fay

Untitled
Burlap fabric, twine, and wax.
Dimensions Vary
Spring 2010

Tia Fay

Interchangeable
Wood, plastic wheels, and rubber bands
12x15
Spring 2010

Tia Fay

Reactivation
Glass and silicone adhesive
40''x40''x75''
Spring 2010

without a sun

garden magic:

nature taking over:

alex phillips

"without a sun"

yarn & metal

84" x 48" x 2"

coral translation

alex phillips

"coral translation"

yarn, hot glue, & felt

48" x 48" x 6"

2010

EMPV

Analogy for Life and Death

8' x 4' x 5'

Metal, acrylic paint, textile

Metal plates were painted. The images were representative of the artist life, so in a sense the plates were autobiographical. Then the plates were drastically cut and at each cut, welded back together. At the end the plates were little shriveled objects, with small recollection of the painted images. Three of them were placed on strange metal boxes padded with a red textile, which intrude the viewer space, invites them to decipher the plates meanings.

Shannon Tomanovich

Eskimo Kiss
1.5' x 1.5' x 2'
Concrete, foam, clay, paint, oil and clothes hangers
Spring 2010

P. Scarpone

Antipode Steel, Branch, Sod, 5' x 4' x 8" "Antipode" is an attempt at controlling a visually tense unstable situation.

P. Scarpone

My ideas stem from the calming capability of a simplistic object or experience. The translation of this ideal is made through limited variables with an intention to create harmonious relations. The use of natural materials in my work, soil and branches, represent the human. Commercial materials are utilized to relate to our human presence. Recently, my interest has primarily revolved around tension, both physically and mentally. Tension in my sculpture is used to initiate a pause or slow the viewer down. My primary aim with the work is to create space for the mind to breath, to spark a possible link to a previous experience, to allow mental wonder, just as subtle moments have allowed me.

"The Last Breath" Branch, Cedar, Concrete, and Soil 5 ' x 4' x ' 6

"Fostering the Inevitable" Branch, and Soil 2' x 4' x 2' "Counterpoise" Branches, Soil, and Cedar 11' x 5' x 1'