Mel Carr

Mel Carr
Annihilation of Self
2011
69 unfired clay faces & black copper oxide
12' x 3'11'' x 12' x 6'10''

Andrew Jacob

Andrew Jacob

To Grasp

Steel, Copper, Aluminum, Carbon Fiber, Bungee Cords, Wood

2011

This is and interactive mechanical hand attached to an arm and supported by bungee cords. As the viewer moves the hand up or down, the fingers will open and close.

The fingers function with the combination of steel springs and carbon fiber strips which allow the fingers to return to their original position. The had itself is constructed from conduit steel piping, copper piping, and aluminum.

As for the image of a very large metal hand and the banana over its shadow, its really up to the viewer what the story is.

"Inflate my Solitude"

plastic bags, household paint, ink, plastic

approximately 9'  

Chris Keiper

Kevin Bielicki

Writing

2011

10" x 10" x 14"

wood, paper, and pencil eraser

This work examines the relationship between the pencil and paper. As writing is an expansive process, I wanted to have the pencil turn in to expanding roots as it touches the paper. Also we often take for granted that pencils and papers come from trees so the roots are a way of revealing and appreciating this origin.

Brandan Henry

Mary, 5", Paint, plaster, fabric, eggs

"Everything is contained within." by Matthew Amey

The mind processes everything; our experiences, our thoughts, our views. Site, sound, smell, taste, touch are all chemical impulses that travel to the brain for processing. The skull protects the mind and in our mind is where the concept of reality lives!

So the skull is where our 'Everything' is contained.

Wood, steel and metallic paint. Approx. 5' 6" tall; free standing sculpture.

Sarah Langsam

"Strung"

steel & fabric

Brandan Henry

Divination Tray, 32' Hand carved cedar

                                                     Mother and Child Inevitably Dead
                                                       Paper, masking tape and marble

Juan Otalvaro

Chris Keiper

Chris Keiper

"Puzzle Piece"
steel, soil, and sod
6' 7"x 5' x 8"

Mike Gates

Video

Rooted

Mike Gates

Spanish Cedar, steel cord, mulch, light, moisture

This piece is about the disjointed relationship between Man and Nature. We go to the lumber yard, pick up our pre-cut wood and go to town. Do we ever think much about the tree or bush the lumber was cut from?

Using a piece of quarter sawn lumber suspended on a wall, I wanted to cast a shadow of where the piece of lumber came from, and show its previous life as a once living object. The shadow form was constructed using brown and black dyed mulch.

Andrew Jacob

Andrew Jacob

Conjunction

Steel, Polystyrene and fabric for padding

2011

Two masks are juxtaposed and conjoined into a form of a helmet: one face that has absolutely no expression (a blank face) with another that illustrates a quizzical and absurd face.

What expressions will people make when they see one mask versus the other? The idea of this piece is to make a limitation on how much the user can see in comparison to how much the viewer is able to see. The blank face is in the front and the other in the back. The user is only able to see the faces of the viewer from the front, but has no knowledge of what their expressions are when they are looking from the back.

Kevin Bielicki

Kevin Bielicki
2011
wood and fiberglass
78" x 52" x 54"

In this work I used as a cross cut of a tree. I expanded upon the idea of the rings of the tree that represent the trees History. I brought the History of the tree into space by cutting out the tree rings and restacking them to create a solide volume. I used fiberglass mat and resin to reinforce the inner walls of the tree. The glass fibers took on the feel of wood fibers. The fibers locked the rings in place as well as expands upon the concept as the rings being stretched and pulled apart in space. The resin created a sap color that contrasts the outside. The outside also contrasted the interior with the saw marks and glue left from my process off cutting and rejoining the wood. The Exterior that can be read from the small ring to the large is a look into my process of creating this work. In reverse looking at the sculpture from the interior(above image) reflects my carving of the HIstory of the tree going from large to small to get to the oringial ring of the tree.

KevinBielicki.com

Matthew Amey

"A glass of water" 
 2011
Metal, glass and water
9.5' x 1' x 1'

The glass, filled with fresh water, is just out of arms reach and creates a sense of longing for a cool, refreshing drink. Without water we would not survive and this piece represents our limited supply of fresh water. By placing the glass high above the viewer they immediately assume a pose which suggests reverence for what is upon the pedestal. Seeing the un-reachable glass of water gives the viewer a sense of wanting what they can not have (or reach).